Things like hallucinations, ghostly whispering voices Spaceman, go home. It is death., electrical gear malfunctioning. Many dissappear, so prudent ship captains give the nebula a wide berth. The cause of all this is an ancient race of Elf-like psionic aliens living on a planet near the nebula's center. Sargasso of lost cities by james Blish (1953)The spacegoing cities of cities in flight gather in the sargasso for reasons that have less to do with physics and more with economics. The antigravity okie cities are sort of the migrant laborers of the galaxy. The stellar currency is based on germanium, some idiot figure out how to synthesize it and inadvertenly obliterated the economy of the entire galaxy. Since everybody is now broke, the flying cities cluster in what is basically an interstellar hobo jungle.
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The author does not resume explain why this is not true of the L4 and L5 points of every single planet in the solar system. He calls the graveyard of lost ships the "wreck-pack and the gravitational attraction of the wrecks keep ships from drifting out. Calling captain future by Edmond Hamilton (1940)In this novel, the sargasso of space is created by ether-currents in the luminiferous aether. The latter is a concept that was disproved by michelson and Morley in 1887, but most of the readers didn't know that. The ether-currents form sort of a one-way whirlpool which sucks hapless spacecraft into the graveyard of lost ships trapped in the eye of the storm. Captain Future escapes by cannibalizing engine and atomic fuel from the other derelict ships, an idea that apparently didn't occur to any of the prior castaways. He has a side adventure when he stumbles over an alien spacecraft full of aliens in suspended animation. The "adventure" part comes in when Captain Future discovers the octopoid creatures are space vampires essay and they start to wake. Sargasso of lost starships by poul Anderson (1952)Superstition says that the Black nebula is haunted. Certainly strange things happen to hyperdrive starships who venture too close.
With the invention of radar and the realization that there ain't no horizon in space, writers realized they'd have to make the space sargasso sea more invisible. Usually they'd add on the legend of the bermuda Triangle in the form of an intermittent "hole in space" leading to a pocket universe. Some kind of wormhole or stargate that would transport the hapless spacecraft to a graveyard of lost ships safely out of sight. Obviously this is highly unlikely to happen in the real world. But it sure is romantic, in a sci-fi pulp fiction sort of way. The sargasso of space by Edmond Hamilton (1931)The sargasso here is apparently the neptune-sol L5 point. Disabled spacecraft who drift into the point will be parts trapped, which is sort of true.
A deadly area of space that somehow traps spaceships who venture too close, only to join the deadly graveyard of lost ships. And not just human ships, a couple stories mention humans discovering wrecks of unknown alien spacecraft mixed in with the conventional ships. The graveyard typically contains everything from recent ships all the way back to historical ships dating to the dawn of space flight. Some stories populate the graveyard of dead ships with castaways. Who will probably be interested in looting your ship of any supplies it contains. The original legend dates back to when line-of-sight was limited to the horizon, so a sailing vessel poking at the edge of the sargasso could not see the interior. Not without being caught, that.
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No one but he could pay such perfect tribute to the the small details of the eerie story of the new Hope, the ship which had blasted off with refugees from the martian rebellion, never to be sighted until a century later — the new Hope. Then there were the "Whisperers whose siren voices were heard by those men who had been too sanskrit long in space, and about whom a whole mythology had developed. Van Rycke could list the human demi-gods of the star lanes, too. Sanford Jones, the first man who had dared Galactic flight, whose lost ship had suddenly flashed out of Hyperspace, over a sirius world three centuries after it had lifted from Terra, the mummified body of the pilot still at the frozen controls, sanford Jones who. Yes, in his way, van Rycke made his new assistant free of more than one kind of space knowledge.
In old pulp science fiction there is a long history of taking a dramatic and comfortable metaphor and transporting it intact into the outer space environment. Generally the author has to savagely pound a square peg into a round hole, with regrettable results. The classic horrible example is deep space fighter aircraft. Most pulp falls for the old Space Is An Ocean fallacy along with the related misconceptions. Many pulp writers figured they were the first to have the bright idea of transplating the colorful legend of the dreaded Sargasso sea into science fiction.
That was all I saw. The rest of the story came to me in pieces, months later and in another port half the system away. Cliff took off that night. He was afraid to risk waiting—with a writ out that could pull the ship from under him. And it wasnt until he was in space that he discovered his passengers—Steena and Bat. Well never know what happened then.
Im betting that Steena made no explanation at all. It was the first time she had decided to cash in on her own tip and she was there—that was all. Maybe that point weighed with Cliff, maybe he just didnt care. Anyway the three were together when they sighted the Empress riding, her dead-lights gleaming, a ghost ship in night space (dead-lights signal "danger, stay out! She must have been an eerie sight because her other lights were on too, in addition to the red warnings at her nose. She seemed alive, a flying Dutchman of space. (ed note: and yes, there is Something Awful on board) dead lights 2 But Van Rycke was not just a machine of facts and figures, he was also a superb raconteur, a collector of legends who could keep the whole mess spellbound as he spun.
Short, essay on an Encounter with an, alien
But in the fifty years she had plan been following her queer derelict orbit through space many men had tried to bring her in—and none had succeeded. A pleasure-ship carrying untold wealth, she had been mysteriously abandoned in space by passengers and crew, none of whom had ever been seen or heard of again. At intervals thereafter she had been sighted, even boarded. Those who ventured into her either vanished or returned swiftly without any believable explanation of what they had seen—wanting only to get away from her as quickly as possible. But the man who could bring her in—or even strip her clean in space—that man would win the jackpot. Cliff slammed his fist down on the table. Ill try even that! Steena looked at him, much as she must have looked at Bat the day bub Nelson brought him to her, and nodded.
Because Steena never chose company when she could be alone. If one of the man-stones on Ganymede had come stumping in, it wouldnt have made more of us look out of the corners of our eyes. She stretched out one long-fingered hand and set aside the bottle he had ordered and said only one thing, Its about time writing for the Empress of Mars to appear again. Cliff scowled and bit his lip. He was tough, tough as jet lining—you have to be granite inside and out to struggle up from Venaport to a ship command. But we could guess what was running through his mind at that moment. The Empress of Mars was just about the biggest prize a spacer could aim for.
twist a man into a slug-snake and we all knew that there was an attachment out for his ship. Cliff had fought his way up from the back courts of Venaport. Lose his ship and hed slip back there—to rot. He was at the snarling stage that night when he picked out a table for himself and set out to drink away his troubles. However, just as the first bottle arrived, so did a visitor. Steena came out of her corner, bat (the cat) curled around her shoulders stole-wise, his favorite mode of travel. She crossed over and dropped down without invitation at Cliffs side. That shook him out of his sulks.
Alien, event Horizon, the dark side of the moon, and, sT:tos space seed ; which contain respectively the, xenomorph, a gate to hell, The devil and. If there are a huge number of lost spaceship, this turns into. If this is more a, mary celeste situation (protagonists are not looking book for a ship but unexpectedly encounter a recently deserted ship with hot food still on plates it is called. Examples include, polaris by jack Mcdevitt, st:tos the Tholian Web, the Black hole, and 2010: Odyssey two. In the movie, sunshine the. Icarus i initially appears to be a ghost Ship but it is actually a ship with Something Awful lurking inside. If the ship has been traveling for centuries (sometimes containing a miserable crew that cannot escape it is called. Examples include, firebird by jack Mcdevitt and, andromeda "The mathematics of tears".
The case Of Ufo
A nice standard location is a famous mysterious lost spaceship, especially if it is full of essay treasure or something. This is commonly part of a treasure hunt story, with the protagonists searching for the ship in order to discover the Dread Secret of its disappearance. In many stories the lost spaceship also has the answer to some old mystery, typically something that the political powers that be would prefer to remain secret because it would shake things. The Ghost Line: The titanic of the Stars by Andrew neil Gray,. Herbison, All Cats Are Gray by Andre norton, and, a talent for War by jack Mcdevitt. And in others it turns out that there is a blasted good reason the ship is lost, because there is Something Awful lurking inside. The protagonists who discover the ship are quick to regret.